werner schroeter
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"werner schroeter will one day have a place in the history of film that i would describe in literature as somewhere between novalis, lautréamont, and louis-ferdinand céline; he was an 'underground' director for ten years, and they didn't want to let him slip out of this role. werner schroeter's grand cinematic scheme of the world was confined, repressed, and at the same time ruthlessly exploited. his films were given the convenient label of 'underground', which transforms them in a flash into beautiful but exotic plants that bloomed so unusually and so far away that basically one couldn't be bothered with them, and therefore wasn't supposed to bother with them. and that's precisely as wrong as it is stupid. for werner schroeter's films are not far away; they're beautiful but not exotic. on the contrary“ - fassbinder
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"foucault : love become passion
werner schroeter: and therefore this suffering
foucault: consider this example.when i see a film by ingmar bergman, who is equally a film-maker obsessed by women and love between women,i'm bored. bergman bores me a lot because i think he wants to try to see what goes on between women. whereas in your work * there is a kind of immediate evidence which does not try to say what is happening and allows one not to even raise the question. and your way of exiting altogether from psychological film seems fruitful to me. at that exact moment one sees bodies,faces,lips,eyes. you make them evidence of passion.
schroeter: psychology does not interest me. i don't believe in it. the cinema is made up solely of psychological drama, of films of psychological terror. i have no fear of death. ten years ago i was afraid of death. to look death in the face is an anarchist feeling dangerous to established society, which depends on terror and fear. " -
(bkz: der rosenkönig)
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1945 - 2010 yillari arasinda yasamis alman yonetmen. underground sinemanin almanya subesi. filmlerinde genellikle isabelle huppert, magdalena montezuma, carole bouquet gibi kult oyuncularla calismistir. bir donem rainer werner fassbinder ile kankalarmis ve fassbinder'in birkac filminde konuk oyuncu olarak yer almis.
isabelle huppert'in basrolde oldugu malina ve deux filmleri yonetmenin en iyileri olmakla birlikte der tod der maria malibran, tag der idioten, der rosenkönig ve nuit de chien gibi filmleri de tadindan yenmez.
yonetmenin hayati ve filmleri ile ilgili kisa bir yazi suradan okunabilir. -
(bkz: palermo oder wolfsburg)
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