97 bonnie and clyde

• bonnie and clyde başlığında bahsedilmiş eminem şarkısının doğru adıdır, '97 bonnie & clyde...
• media player random calarken tori amos ın agzını sapırdatmasından, dogum gunu zamanı bir arkadasın canlandırmasından ^*olacak sarkının adına baktıktan sonra buraya bunları yazdıracak yorumu ^* da bulunmaktadır. küçüklüğünüzde vamp bir teyzenin yatagınızın başında masal anlatması hazzı veren yorumu dinlenmelidir. ^{* *}
• tori amos'un coverlardan oluşan albümü strange little girls'de yer alan bir eminem şarkısı..
  
  "when i first heard the song, the scariest thing to me was the realization that people are getting into the music and grooving along to a song about a man who is butchering his wife. so half the world is dancing to this, oblivious, with blood on their sneakers. but when you talk about killing your wife, you don’t get to control whom she becomes friends with after she’s dead. she had to have a voice."
  -- tori; atlantic records website, jul 2, 2001
  
  "the scariest thing about bonnie and clyde is that half of the world is snapping it's fingers and has empathy for this man who is butchering his wife. as she lies bleeding half the world is dancing to this, oblivious, with blood on their sneakers. when you murder your wife, you can't control who befriends her..."
  -- tori; l.a. times, july 1, 2001
  
  "i've always found it fascinating how men say things and women hear them. in bonnie and clyde, that was eminem -- or one of the many people living inside him -- and he killed his wife. she has to have a voice. what intrigued me in the way he told the story was this rhythmic kind of justification. you have to have empathy for him. i did when i heard it, but i always chase what's on the other side of the camera."
  -- tori; l.a. times, july 1, 2001
  
  "the view changes depending on where you're standing. i had the opportunity to flip the script."
  -- tori; elle, sept 2001
  
  s: now tell me about this photo--its the mother from '97 bonnie and clyde.
  t: this is her right before she was killed. she's deeply sad. she absolutely loves her daughter.
  s: was it difficult knowing that, on a certain level, the song is eminem fantasizing about his actual wife and daughter?
  t: no. this is not about the person called eminem. i'm seeing a woman in a victim situation for whom the last thing she's hearing is the person she had a child with [amos' eyes well up] weaving in that child as an accomplice to her murder. i'm seeing it as a mother.
  s: so you've entered this purely as storytelling?
  t: absolutely. this transends eminem and his wife, just like me and a gun transends tori.
  s: that seems like a valid defense of eminem's work as powerful storytelling.
  t: this is not about storytelling--this is about getting nailed if you're a fucking pig. on this album, i say words are like guns. and if you don't believe that, well, check-fucking-mate, cocksucker.
  s: so your basically calling eminem out?
  t: this isn't about just one artist. all of the songs support the theory that the view changes depending on where you're standing. let's understand the power of our pens. i'm all for people writing what they believe in. but this is about then saying that you don't believe in it--that "it's only words." you cannot separate yourself from your creation. you can't. you have to be responsible for the shit you put out there.
  -- tori; spin magazine, oct 2001
  
  "to me it’s the myth about domestic violence, that a woman dies and a man is telling their little girl all sorts of stuff. the woman, as she’s dying, understands that her daughter will grow up and become a strange little girl and divided forever." to reenact the song's setting, amos' crew built a small box inside of which she recorded the vocals - a reconstruction of the car’s trunk that casts a new, eerie shadow over the song.
  -- tori; ice magazine, sept 2001
  
  "this song is told from the point of view of the mother who is about to be dumped off a bridge by her husband and baby daughter. "the big thing is, she's hearing that her daughter has been pulled into the crime and it's very very difficuly when you're helpless and can't intercede. she knows that her daughter will carry this forever."
  -- tori; alternative press, oct 2001
  
  last year's covers album, strange little girls, led to some interesting conversations. "i'm open about some of them. slayer sent t-shirts; that was fun. but some of the messages and conversations were very personal. yoko ono had to approve happiness is a warm gun, and she was absolutely divine. neil young had to hear heart of gold, because i changed the lyrics. but i didn't change a word of eminem's ['97 bonnie and clyde]. eminem and i have the same lawyer, which is handy."
  -- tori; blender magazine, nov 2002
• tori amos'un parçasının sözleri aşağıdaki gibidir:
  
  baby your da-da loves you
  and i'm always gonna be here for you
  no matter what happened
  you're all i got in this world
  i'd never give you up for nothin'
  nobody in this world is ever gonna keep you from me
  i love you
  
  c'mon hai-hai, we goin to the beach
  grab a couple of toys and let da-da strap you in the car seat
  where's mama? she's takin a little nap in the trunk
  oh that smell -- da-da musta runned over a skunk
  
  now i know what you're thinkin - it's kind of late to go swimmin
  but you know your mama, she's one of those type of women
  that do crazy things, and if she don't get her way, she'll throw a fit
  don't play with da-da's toy knife, honey, let go of it
  and don't look so upset, why you actin bashful?
  don't you wanna help da-da build a sand castle?
  
  and mama said she wants to show you how far she can float
  don't worry about that little boo-boo on her throat
  it's just a little scratch - it don't hurt
  her was eatin dinner while you were sweepin and spilled ketchup on her shirt
  mama's messy isn't she? we'll let her wash off in the water
  me and you can pway by ourselves, can't we?
  
  just the two of us
  just the two of us
  just the two of us
  
  see honey -- there's a place called heaven and a place called hell
  there's a place called prison and a place called jail
  and da-da's probably on his way to all of em except one
  cause mama's got a new husband and a stepson
  and you don't want a brother do ya?
  maybe when you're old enough to understand a little better i'll explain it to ya
  but for now we'll just say mama was real real bad
  she was bein mean to dad and made him real real mad
  but i still feel sad that i put her on time-out
  sit back in your chair honey, quit tryin to climb out
  i told you it's okay haihai wanna ba-ba take a night-night? nan-a-boo, goo-goo ga-ga?
  her make goo-goo ca-ca? da-da change your dia-dee
  clean the baby up so her can take a nighty-nighty
  your dad'll wake her up as soon as we get to the water
  ninety-seven bonnie and clyde, me and my daughter
  me and my daughter
  me and my daughter
  
  just the two of us
  just the two of us
  just the two of us
  
  wake up sweepy head we're here
  before we pway we're gonna take mama for a wittle walk along the pier
  baby, don't cry honey, don't get the wrong idea
  mama's too sweepy to hear you screamin in her ear
  that's why you can't get her to wake, but don't worry
  da-da made a nice bed for mommy at the bottom of the lake
  here, you wanna help da-da tie a rope around this rock?
  we'll tie it to her footsie then we'll roll her off the dock
  ready now, here we go, on the count of free
  one.. two.. free.. oh-weeeeeee
  there goes mama, splashin in the water
  no more fightin with dad, no more restraining order
  no more step-da-da, no more brother
  blow her kisses bye bye, tell mommy you love her
  now we'll go play in the sand, build a castle and junk
  but first, just help dad with two more things out the trunk
  
  just -- the two - of us
• tori amos versiyonu dinlerken nefesinizi kesse de çok başarılıdır. dinlenesidir.
  
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